Killing the Emperors

'Ruth Dudley Edwards is a fearless and serious journalist. She is also one of the most entertaining crime writers around, the author of a series that satirizes special interest groups and the political correctness that makes other commentators look away politely... Ruth Dudley Edwards is unsparing in her accusations of unoriginality, poor taste and talentlessness. Whatever posterity’s verdict may be of conceptual art, this send-up should be applauded for its vigour and humour.'Times Literary Supplement

'Killing the Emperors is a seriously funny satire on the modern art industry. [Ruth] is always right on the button.'Frances Fyfield, author of Blood from Stone

'[Had me] shamelessly laughing out loud... There are few writers around who are inspired to make heinous crime into comedy, but Ruth Dudley Edwards has achieved her goal precisely. In addition to crafting a brilliant plot there is no restraint when it comes to naming and shaming those who, conceptually or otherwise, wish to deceive and make millions of pounds along the way...Killing The Emperors by Ruth Dudley Edwards gets a full five stars from me!'Concert News Online

'A mad oligarch, murderous Albanians, the SAS, a Big Brother parody, all wrapped up in a severe kicking for "conceptual" art. If your name's Serota, Saatchi, Emin or Hirst, look away now.'Sir Terry Wogan

'[Ruth Dudley Edwards'] crime fiction usually takes the form of bludgeoning to death one of the sacred cows of contemporary life. The series has several recurring characters, but the bludgeon tends to be wielded most ruthlessly by Baroness Troutbeck... Here Troutbeck turns on modern art: in particular, she charges an unholy coterie of commercially astute artists, gallerists, critics, curators and academics with glorifying derivative and inept work and colluding to drive up its value to levels that are frankly obscene. She names names with gleeful abandon. The plot serves as an entertaining vehicle for a polemic against the abuses of modern art, which is all the more effective for quoting facts and figures. Meanwhile the story deals with murder, mass kidnapping and a particularly sinister variant of Big Brother, designed for an audience of one (a Russian oligarch with unusual mental health issues). The novel is also very funny and should be required reading in the nation’s art colleges, not to mention for Damien Hirst, Tracey Emin, Charles Saatchi and Sir Nicholas Serota (or, as Lady Troutbeck prefers, Sclerota).'The Spectator

'The latest in a comic crime series, which has, over the years, delivered hefty slaps to the rumps of various sacred cows. Here, [Ruth Dudley Edwards] takes a swipe at the world of conceptual art, with her heroine, the magnificently monstrous reactionary libertarian Baroness "Jack" Troutbeck, on splendidly splenetic form.'Guardian

'The plot moves seamlessly from the sublime to the ridiculously sublime...There are some great jokes in this book and even if the targets are not that difficult to hit for a satirist of Ruth’s standing, one is left in no doubt that this is a subject close to her heart and one she has been seething about for several years.'Mike Ripley, Shots Magazine

'A raucous send-up of the art world’s collectors, critics, curators and especially those postmodernists who call themselves artists... Imagine "And Then There Were None" written with wicked humour and a major grievance about money, not taste, ruling the art world.'Kirkus Reviews

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